This motif functions as a separation between reality and fantasy spaces, or spaces to explore the unconscious, which begs the question: what lies ‘behind the curtain’? Cox Cameron finds in Lynch’s 2001 masterpiece Mulholland Drive a text replete with the mechanisms of the dream-work identified in Freud’s Interpretation of Dreams. Defining a cultural moment with some notes from Freud and Lacan Carol Owens CHAPTER 3 Dream logic in Mulholland Drive Olga Cox Cameron CHAPTER 4 Lost angels in Los Angeles: Lynchian psychogenic fugues Mary Wild CHAPTER 5 "It's a strange world, isn't it?

Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page. I totally get it,” my then-partner uttered, victoriously, as soon as the lights came back on in Amsterdam’s Kriterion movie theater, where we had just watched David Lynch’s 2001 thriller “Mulholland Drive.

And sprawl has a bad reputation: it’s undisciplined and ungainly, it occupies time and space with ugly, disorganized forms. In this special LiS event, Olga Cox Cameron will be presenting her contribution to a new collection of essays, Freud/Lynch: Behind the Curtain. Drawn from a major Freud Museum London conference, Freud/Lynch goes against the dubious cliché of finding Freudian solutions to Lynchian mysteries. They confront us with strange dreamscapes populated with bizarre characters, obscure symbols and an infuriating lack of narrative consistency. Filled with sickly rooms, dark corridors and oppressive small towns, David Lynch’s work often generates feelings of claustrophobia and confinement.

Lynch has refused to explain what his art means and apparently walked out of his first and only session with a psychiatrist because he feared the process could disrupt his creativity. If you’re in/near London, you don’t want to miss the book launch event of ‘Freud/Lynch: Behind the Curtain’ on Friday 24 February 2023 at the Freud Museum. The Bundjalung of Byron Bay Arakwal People have lived in the coastal landscape around Byron Bay for at least 22,000 years.In the first of the PROJECTIONS lectures, these titles will be considered as forming a 'trilogy of blurred identity', where the central character in each instalment experiences a psychogenic fugue following the trauma of unrequited love within marriage and/or Hollywood. A collection of essays that look at connections / reflections / considerations between the work of David Lynch and Freud. By exploring these questions, the reader can begin to peer behind the Lynchian curtain and will, most likely, see quite a bit more than they might have expected to. We respectfully acknowledge the ancient cultural presence in the Australian landscape by First Nation peoples and their ongoing traditional and spiritual custodianship of the marine areas, beaches, bush, rivers, lakes and mountains.

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