It’s a mostly informative track, although a bit too laid back as they tend to fall into the trap of watching the film. Memories of Monroeville: A tour of the mall – New 30 minute feature with Michael Gornick, Tom Savini, Tom Dubensky and Taso Stavrakis revisiting the famous mall. British label Second Sight has dated its upcoming 4K Blu-ray release of the 4K restoration of George A. Though again seeing a group of people holed up in a bid to survive the onslaught outside, the tone and scope is very different.

The Dead Will Walk’ takes a largely chronological approach, starting with Romero’s career and how it took him to Dawn. Low bass isn't particularly noteworthy, but it's adequate and plenty for providing the action and music some weight. The Argento cut is offered in 4K SDR, and
is based on a 4K scan of an interpositive – see our interview below with encoder David Mackenzie for more info. Death threats and petitions came his way when the news came of him remaking the film because of writing Scooby Doo movies.The Romero, Savini and Christine Forrest commentary is an enjoyable look back at the shoot with plenty of interesting facts and anecdotes. Image detail is still good, but it’s not nearly as well defined as it is on the Theatrical Cut and there’s somewhat coarser grain. Sarah Polley (Splice), Jake Weber (Wendigo), Mekhi Phifer (Divergent) and Ty Burrell (Modern Family).

With a clean, well-defined mid-range, atmospherics enjoy strong, fluid movement across the screen while the iconic score exhibits distinct clarity and excellent fidelity in the orchestration. I only wish that a fourth cut, the unofficial mall hours cut, would've been included in the release. We use cookies to give you the best possible experience on our site, provide personalised content and advertising, analyse our traffic, and ensure you see more of what you love. With a great balance of satire, action and horror, it transcends any minor flaws it may have, to more than justify its lofty status in the pantheon of genre movies.Saturation is set to hyper mode, beginning with intense, glowing flesh tones right on the precipice of bleeding. As previously mentioned, the notion of fast-moving zombies has been more or less erased from the zombie lexicon, but there are certain visuals and sequences that hold up. Bullets hit with great impact, and the shotgun that Ving Rhames carries sounds like a veritable howitzer cannon.

The cult classic rises from the dead once more and walks into home theaters as a lovely seven-disc limited edition box set featuring plenty of goodies: a hardcover book, a softcover novelization of the film and three CD soundtracks. A mostly refined grain structure and a high bitrate are on display, offering crisper images with a new level of clarity not found on previous releases. interviews Richard France about working with George and his realization of the film’s legacy and fan appreciation. presentation is still quite robust with plenty of atmospherics and ambience, as well as deep, booming LFE. Secondary hues, likewise, are more full-bodied and varied, particularly the cheerful yellows, warm marigolds, rich oranges and the hearty tan browns.I just watched the theatrical cut all the way through and caught glimpses of the others while I listened to their commentaries. Picture: Be assured, Dawn of the Dead has never looked this good before on home media, although unsurprisingly it's the Theatrical and Cannes cuts that shine brightest, by virtue of a restoration of the original camera negative and HDR (with HDR10+) grading. This isn’t a bad looking image by any means, but the other cuts certainly have the edge in terms of detail, color, and contrast.