That said, Catwoman hasn’t looked quite so striking in some time and that’s fully down to Marquez’s skill as an artist. When you look at his work of numerous Spider-Man comics, Marquez can illustrate action and that applies here with Batman being a figure of theatrics through his cape. Aun así es un tebeo espectacular en cuanto a dibujo y color, y ojalá David Marquez y Alejandro Sánchez repitan pronto con King. There's a considerable body count, quite a bit of obvious bloodshed, and it's framed in a very matter-of-fact way, making it pack an even harder punch.

For 3000 years, the Eye of God traveled from Ancient Greece to Gotham, surrounded by the legend that if you held it, you controlled the world.If you like the obsessively cursing government agent Espinoza, she curses and curses and curses some more. Two of the new, colorful rogues, Riddler and Catwoman, have just pulled off the heist of the century, robbing Wayne-Gotham Securities, getting away with 1.

It makes the cuts between days, minutes, months, and even years feel like an extension of the story instead of a gimmick. This is the same shit that happened with Fear State and Scarecrow being tossed aside for some no good boring new character.

Me ha gustado este recurso, aunque también he de decir que se entenderá mejor todo leído de seguido y no a lo largo de meses, ya que hay detalles que me bailan y convendría tener más frescos.

When Catwoman, The Riddler and The Penguin join forces to pull off the greatest robbery in the history of Gotham City, Batman investigates the deadly heist that goes wrong. His is informed by working as a CIA agent during the Iraq War; mine is by thinking that is a despicable thing to do with the life you have on this planet. Every location feels representative of its characters while also providing appropriate geographic markers. I think he’s the best new addition to Batman’s rogues gallery we’ve had in a while and hope to see him in more stuff in the future.

But with these, the story feels more mythical, and the treasure itself feels much more important because of the context that’s established here. The hardcover release of Batman: Killing Time uses David Marquez’s main cover for the first issue, a standard but still quite a fun composition featuring Batman looming over Riddler, a slinky Catwoman, Killer Croc, Penguin, a racing car, and an open bank vault. The blockbuster team of Tom King and David Marquez brings an epic, white-knuckled, action-packed tale of a young Batman desperate to recover his most prized possession from a host of violent rogues before the clock strikes the Killing Time.