Well, I'm sure it could qualify as either, depending on what the artists achieve, but for Death in Vegas, it's the latter. The start with the sample of Telex is fantastic base for a song that is growing with Tortoise; and finally with that robogirl voice and . Adhering to what must be formal guidelines set by the electronic music industry, Death in Vegas exist as a duo, and have ever since the height of the electronic boom in the mid-to-late 1990s. Hands Around My Throat" is featured on the Animatrix soundtrack; in a commercial TV-spot by Sony Ericsson for Sony Ericsson K700i; and in the episode "Once Bitten" of Big Little Lies. Alternative Press gave it four stars out of five and said that the album has "Mind-melting Indian-flavored strings.

Use of this site constitutes acceptance of our User Agreement and Privacy Policy and Cookie Statement and Your California Privacy Rights. It may be no more embarrassing than any of the rock-band-in-electronic-clothes attempts sure to be thrust upon us in the coming months, but it's clear Death in Vegas don't have the recipe to the magic rock/electronic stew we've all been told to save our dancefloor moves for. Playlouder gave it one-and-a-half stars out of five and stated that in the album "there are a couple of standout tracks, and the rest falls on its arse.In fact, if not for Death in Vegas' faceless DJ anonymity and a couple of characteristic electronic facets (the implementation of a few choice samples; a roster of Brit-centric celebrity guest vocalists including Paul Weller, Hope Sandoval, and Liam Gallagher), one might assume that the outfit responsible for this album was just a band with a hefty case of NME-approved 60s psych nostalgia. It's familiar, right down to the awful lyrics ("I wanna go to heaven, never been there before"), but refreshingly direct-- closer to Definitely Maybe form than the pretentious bloat of recent Oasis.

Death in Vegas’ Richard Fearless and Tim Holmes created one of their finest records by combining synths with guitar rock and psychedelia. Elsewhere, Paul Weller gets a paisley backdrop of his own, lending a chesty vocal to "If You Say You Lost Your Baby" that does well to approximate a roided-up Forever Changes, while slower material engages in grandiose displays of Indian-inflected orchestration, conducted by the mysteriously Bond-villain-sounding Dr. Scorpio Rising features guest vocalists Liam Gallagher, Hope Sandoval, Nicola Kuperus, and Paul Weller, as well as string arrangements by L. s Nicola Kuperus) of "Hands Around My Throat" are well supported, rather than overwhelmed, by some additive live drumming and clanging guitar.From Radiohead's voyages into squiggly experimentation and beatmongering, to the current Rapture school of hiring producers to apply a timely lacquer of club sauce, such acts are celebrated for their admirable attempts at forward-thinking. Scorpio Rising is the third album by British electronica band Death in Vegas, which features guest vocalists Liam Gallagher, Hope Sandoval, Nicola Kuperus, and Paul Weller. Lies" includes a sample from "Goin' Back" by The Byrds, written and composed by Carole King and Gerry Goffin.

It was released on 16 September 2002 in the United Kingdom via Concrete Records, and on 17 June 2003 in the United States via Sanctuary Records. The album was recorded at Death in Vegas' very own studio The Contino Rooms in early 2002, with the strings recorded at Trinity Wave Station in Chennai, India. Perhaps the duo is just second-tier to begin with, or perhaps they just let the needle swing too far towards the rock side of the dial, but the peak moments on Scorpio Rising offer little more than enjoyable nostalgia for overhead-projector light shows. So while the two hearts of Death in Vegas are firmly in the right place, given that some of the biggest electronic hits have been from DJs hewing their sound to a rock standard, the execution is ultimately flawed. A taste of “My Bloody Valentine” and some electro pulses are thrillingly constructed in the different parts of the album.

They’re using different samples in their sounds, so you can hear classics like Rock Around the Clock (Bill Haley and His Comets) and Goin’ Back (The Byrds). Filter gave it a score of 84% and said that the sounds "are equally rich and emotive, just not as goblin-esque [as The Contino Sessions]. Which makes sense: If psychedelic rock begat the trance/dance of the 90s rave scene, it's not much of a stretch to figure that Death in Vegas would naturally come out sounding pretty Summer of Love if given the Altered States treatment. Freedman and Jimmy DeKnight) and "Whitewater" by Tortoise (written by Dan Bitney, Bundy Kien Brown, John Herndon, Doug McCombs, and John McEntire). Other reviews are pretty average, mixed or negative: Q gave the album three stars out of five and stated: "There's no doubting their enthusiasm but it seems Death In Vegas have compiled a list of great cult albums rather than actually making one themselves.