Girls in the Windows, New York City, 1960 Photo Print 12x12"

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You can change your choices at any time by visiting Cookie preferences, as described in the Cookie notice. Just as Ormond must have felt this great connection to the models and location and his dream – we connect to the spirit, freedom and joy of the picture. The image depicts 43 women poised in the windows of a New York City brownstone, exuding an ephemeral vibrancy that captures the essence of 1960s fashion and art photography. Stained glass windows are made of glass that has been colored by mixing molten glass with metallic oxides. This handsome volume highlights a significant body of work, captures a vital aspect of the great age of photojournalism.

Not every interior allows for large Ormond Gigli art, so small editions measuring 9 inches across are available. The richness of the photograph stems from the ability to appreciate it in different ways: either as a whole, as a rhythmic composition of color and form, formed by the pattern of windows, human figures, and colorful dresses; or the viewer is drawn to explore its various parts, each woman presenting a different point of the interesting story (Gigli’s wife is on the second floor, far right and the demolition supervisor’s wife is on the third floor, third from left). Since the building had been gutted of electricity and gas – there was a gaping hole on the sidewalk.Ormond Gigli, longtime photographer for TIME, LIFE, Paris Match and others , snapped everything from farmers to movie stars in his decades long career. Girls in the Windows, 1960 by Ormond Gigli, is a 38" x 38" (image size) archival pigment print signed by the photographer.

All credit card payments are processed by Paybox, the trusted leader in payment processing for international businesses. This print of Ormond Gigli's signature work, Girls in Windows, was made using the color-carbro printing process.Girls in the Windows is the first book to survey the work of Ormond Gigli and looks behind the facade of that extraordinary photograph to understand its genesis and to celebrate its beauty and pathos, as well as to open the window onto the rest of Gigli's brilliant career. There is officially something I did in the eighties that I'm not embarassed to admit to - I had a cheap, framed print of this in my bedroom when I was in high school.

Some of the technologies we use are necessary for critical functions like security and site integrity, account authentication, security and privacy preferences, internal site usage and maintenance data, and to make the site work correctly for browsing and transactions. The artworks explore different parts of the world, cultures, histories and the areas of imagination that trigger many emotions and touch the innermost feelings and memories.We take intellectual property concerns very seriously, but many of these problems can be resolved directly by the parties involved. Vividly colored chromogenic print on semi-gloss double weight paper with margins flush-mounted on aluminum. Roy Lichtenstein painted The Crying Girl because he saw a similar image in the comic strip “Secret Hearts.