Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. Paul Walker Public Service Announcement (SD, 1 min): Exactly what it sounds like with the actor advising viewers to drive safe and not imitate the car stunts of the film.

Includes a digital copy ofThe Fast and the Furious(Subject to expiration. Go to NBCUCodes.com for details.) The Fast and the Furious 4K Blu-ray delivers stunning video and reference-quality audio in this exceptional Blu-ray releaseenhancement. The movie looks great. It's crisp and clean, maintaining an extremely light grain structure that compliments rather than defines the MOVIE007HD มีดีมากกว่าที่คุณคิด เรามาพร้อมความบันเทิงครบรสชาติ คัดสรรหนังให้รับชมทุกรูปแบบ สามารถดูหนังทุกเรื่องที่ต้องการในเว็บเดียวจบ รวมหนังดีหนังดัง จัดเต็มคุณภาพของระบบภาพและเสียง ดูหนังออนไลน์ฟรีไม่กระตุก ผ่านทางเว็บของเรา ออกแบบให้ค้นหาหนังง่ายไม่ยุ่งยาก มีการจัดหมวดหมู่แต่ละประเภทไว้เป็นอย่างดี เลือกดู ภาพยนตร์ไทย ภาพยนตร์ฝรั่ง หนังยุโรป หนังเอเชีย อัพเรื่องใหม่ทุกวัน บอกเลยว่า เว็บดูหนังออนไลน์ฟรี ที่นี่จัดให้ได้ทุกอย่างดังนี้เลย ดูหนังใหม่ชนโรง 2023 เต็มเรื่อง Starting with The Fast and the Furious, the first six films were all shot on photochemical film in Super 35 format. Furious 7 was shot in a combination of film (Super 35) and digital (at 2.8, 3, and 6K). The Fate of the Furious was all digital (shot at 3.4, 4, and 6K). The films are framed at the 2.35:1 theatrical aspect ratio, except Fast & Furious, Furious 7, and The Fate of the Furious which are 2.40:1. The Fast and the Furious and 2 Fast 2 Furious were finished on film and scanned in full native 4K, while the others were upsampled from 2K Digital Intermediates. All have been graded for high dynamic range in HDR10, while The Fate of the Furious also offers Dolby Vision. Note that the last two films were also shown theatrically in 3D, though they’ve not been released on Blu-ray 3D. In terms of image detail and clarity, here’s a basic film-by-film breakdown: Quarter Mile at a Time (SD, 10 min): Car experts and historians provide some interesting history on the origins of car racing and their love for driving fast. More importantly, Tokyo Drift is appreciated for bringing director Justin Lin ( Star Trek Beyond) and writer Chris Morgan into the Furious fold, as they are the collaboration team responsible for eventually turning the franchise into an awesome film serial. Of course, it takes them a couple more tries before finally arriving there. But in revisiting all the movies, it's actually pretty cool to see how Lin and Morgan course-correct the series, starting with Diesel's unexpected cameo at the end. Originally intended as a wink and a nod connecting this third entry to the car-themed action franchise, Dominic announcing Han Lue (Sung Kang) was family is a small misstep in the timeline requiring an explanation in the coming sequels.

sorts of facial features and skin details the beneficiaries, from smoothly shaved heads to dense beards, from applied makeup to fully revealing pores. The first in the series to be limited by a 2K Digital Intermediate, but that's not the end of its woes Working with a no-star cast has its disadvantages, and there's only so much more gritty, realistic and ultimately better-staged races can get youLanguage And Audio: English DTS-HD Master Audio 5.1 / French DTS Digital Surround 5.1 / Spanish DTS Digital Surround 5.1 For more about The Fast and the Furious 4K and the The Fast and the Furious 4K Blu-ray release, see the The Fast and the Furious 4K Blu-ray Review published by Martin Liebman on July 30, 2019 where this Blu-ray release scored 4.5 out of 5. As you can see, I’ve noted the audio options available on each 4K disc above. In terms of audio quality, there’s much less variability. The new lossless and object-based DTS-X mixes are consistently excellent, ranging from A- (for some of the earlier films) to A and A+ (for the newer mixes). The soundstages are big, wide, and immersive, with generally excellent clarity, smooth movement, and firm bass. At their best, the mixes can be very aggressive and muscular sounding. Each uses the overhead channels to slightly lesser or greater effect, obviously for flying cars and crashes early on and later for more action-oriented effects (jet planes, missiles, explosions and the like). The scores are typically well mixed with good fidelity.

More Than Furious (SD, 4 min): Watch and compare Brian's first street race with the original storyboards. Editing for the Motion Picture Association (SD, 5 min): Since the studio mandate was a PG-13 rating, some judicious editing was required to make the film kinetic and exciting while still not too graphic. Director Rob Cohen and editor Peter Honess take us through an editing session during the process. Interesting stuff. With intense full-throttle action, awesome highspeed stunts and full-on, pedal-to-the-metal intensity, The Fast and the Furious puts you in the driver's seat and dares you to exceed all limits. In the opening action sequence of Fast & Furious, director Justin Lin and writer Chris Morgan make a few things abundantly clear. Not only do we see the return of Vin Diesel as Dominic Toretto and Michelle Rodriguez as Letty Ortiz, but this fourth installment bombastically launches the series in a different direction, driving head-on into absurdist action and impossibly bonkers stunts the moment Dom skids beneath a burning fuel tanker rolling downhill. After briefly connecting Han (Sung Kang) and Tokyo Drift to this movie, the story shifts into melodramatic gear with a tragedy that also sees Jordana Brewster and Paul Walker reprising their roles as Mia and Brian, the latter of which is now working for the FBI investigating drug lord Arturo Braga (John Ortiz). And finally, this is the entry that initially modifies the franchise from street racing subculture to the more traditional car actioner, except with weighty plots that add depth to character motivations while leaving plenty of room for insanely crazy action.Crazily, that's it. Once that scene is over, the entire rest of the movie looks spectacular. Even the shots that take place just outside the cafe - which are intercut with sepia shots within the cafe - are blisteringly good, as the various cars pull up boasting some stunning paint jobs that pop out of your screen with a vibrancy this film has simply never seen before. HDR and WCG work overtime on the stronger tones and on the excellent shadow detail, bringing the modestly budgeted 2001 piece - which was arguably a bit rough around the edges - into the modern limelight, as if it has been recoloured to stand proud alongside its considerably bigger budgeted siblings. all ranges, from piercing highs to growling lows that extend through the stage and expand thanks to the height channels which create a more fully Race Wars, under the bright sunlight where cars gleam and character definition soars. Clothing details are precise, car interiors show every gauge and light moving across parts of the panel to give the feeling of forward momentum. The rear panel shows the same two cars seen on the front racing down midline, is the film's title in white at a diagonal with "20th Anniversary Edition" text in yellow underneath. Filling the bottom third or so is a picture of