His photographs have appeared in exhibitions of graffiti art from its early appearances in New York/New Wave at P.S.1 Contemporary Art Center to retrospectives such as Art in the Streets at the Museum of Contemporary Art, Los Angeles and City as Canvas: Graffiti Art From the Martin Wong Collection at the Museum of the City of New York, in addition to galleries and museums in the United States, Europe, and Asia. Kennedy, Randy. "Graffiti of New York's Past, Revived and Remade". New York Times . Retrieved 13 April 2015.

Subway Art by Martha Cooper | Goodreads

Chalfant continues to preserve and archive past work, make documentary films, and mentor other filmmakers' work through Public Art Films, a non-profit organization "dedicated to producing films and videos about grassroots cultural expressions." [5] Henry Chalfant's Big Subway Archive [ edit ] Okay. Am I biased? Yes. Why? Because when it comes to Art books, I only ever read stuff from people who are dead or from artists whom I've met from my own artistic journey as an exhibiting visual artist side. So it was really lovely to meet some of the guys and gals from this book!

Subway Art

Martha Cooper is an American photojournalist. She worked as a staff photographer for the New York Post during the 1970s. [2] She is best known for documenting the New York City graffiti scene of the 1970s and 1980s. [3] [4] Access-restricted-item true Addeddate 2012-05-07 16:31:31 Boxid IA106401 Boxid_2 CH115201 Camera Canon EOS 5D Mark II City New York Donor HENRY CHALFANT. "ART IS NOT A CRIME, 1977 – 1987" Del 27 de septiembre al 18 de noviembre de 2018 SALAS A y B". 5 November 2018 . Retrieved 2019-03-08.

Subway art : Martha Cooper : Free Download, Borrow, and

New afterwords continue the story, tracing the decline of the subway and graffiti scene in the late 1980s to its unexpected rebirth as a global art movement. a b c d Graustark, Barbara (10 April 2009). "Chronicler of the Furtive Arts". The New York Times . Retrieved 8 March 2018. Reisser, Mirko; Peters, Gerrit; Zahlmann, Heiko, eds. (2001). Urban Discipline 2001: Graffiti-Art. Urban Discipline: Graffiti-Art (in English and German). Vol.2 (1sted.). Hamburg (Germany): getting-up. p.104. ISBN 3-00-007960-2. In new introductions, authors Martha Cooper and Henry Chalfant recall how they gained entry into the New York City graffiti community in the 1970s and 1980s. New afterwords continue the story, tracing the decline of the subway and graffiti scene in the late 1980s to its unexpected rebirth as a global art movement. The authors reveal how the lives of the original subway artists have unfolded and mourn the loss of several to the darker forces of the street. 153 color illustrationsAmy Newson, " The woman who captured NYC’s graffiti gangs". Dazed, 4 February 2016. Accessed 2 March 2018. I bought this awesome book in a record shop in NYC sometime around 2009 or 2010. I was really into graffiti at the time, even though I don't draw (I would like to start learning how to draw and paint though...someday!) Gonzalez, David (18 April 2017). "Graffiti, Games and Hip-Hop Culture: Finding Art on the Street". The New York Times . Retrieved 19 April 2017.

Subway Art: Chalfant, Henry, Cooper, Martha: 9780500292129

Henry Chalfant: "Art vs. Transit, 1977-1987" September 25, 2019 to March 8, 2020". 25 September 2019. Henry Chalfant (born January 2, 1940) is an American photographer and videographer most notable for his work on graffiti, breakdance, and hip hop culture. She was a photography intern at National Geographic in the 1960s, and worked as a staff photographer at the New York Post in the 1970s. Her photographs have appeared in National Geographic, Smithsonian and Natural History magazines as well as several dozen books and journals. Henry Chalfant is a photographer and videographer most notable for his work on graffiti, breakdance, and hip-hop culture. Cooper lives in Manhattan, but from 2006 to 2016 she was working on a photography project in Sowebo, a Southwest Baltimore neighborhood.

Barry McGee

Time has not diminished the book’s beauty. The chance to view so many classic pieces at an increased size is almost as exciting as the inclusion of more than 70 previously unpublished photographs. The bible of the New York graffiti movement.” The series has received generally positive critical support and has generated mild controversy for some interview material, such as graffiti artist Lady Pink's assertion that "The graffiti movement has become a greater thing than the Renaissance." [10] The series also sheds new light on some historical graffiti feuds such as Seen TC5 versus Seen UA. [11] Exhibitions [ edit ] Philadelphia is one of many cities that offers other outlets and its Mural Arts Program http://www.muralarts.org/ is one of the most extensive. It invites community participation and pride in the outcome. It has become a tourist attraction in its own right with tours being conducted regularly. She was a photography intern at National Geographic Magazine in the 1960s, and worked as a staff photographer at the New York Post in the 1970s. Her photographs have appeared in National Geographic, Smithsonian and Natural History magazines as well as several dozen books and journals. She is the Director of Photography at City Lore, the New York Center for Urban Folk Culture. Cooper lives in Manhattan but is working on a photo project in Sowebo, a Southwest Baltimore neighborhood.

Subway Art - Cooper, M.; Chalfont, H.: 9780805006780 - AbeBooks Subway Art - Cooper, M.; Chalfont, H.: 9780805006780 - AbeBooks

Gritty and Graffitied: Street art with photographer Martha Cooper". CNN Style . Retrieved April 19, 2017. The e-books are published by Sleeping Dog Films, which primarily archives the photographer's over 800 photos of New York City Subway graffiti. [7]Pareles, Jon (14 September 2006). "Mambo and Hip-Hop: Two Bronx Sounds, Once Sense of Dignity". New York Times . Retrieved 3 May 2016. Many of the images are today iconic masterpieces. . . . One of the most influential art books of its time.”― The Big Issue In 1984 the groundbreaking Subway Art brought graffiti to the world, presenting stunning photographic documentation of the burgeoning movement in New York. Thirty years later, this bible of street art has been updated with over seventy photographs not included in the original edition and new insights on an incredibly rich period for urban art and its legacy.