I’m still not sure I entirely understand the concept behind the so-called fairy triad, of the oak, ash, and thorn, but it is clearly a belief that has value to many people and which many have seized onto and incorporated into their own spirituality. There is something about the idea of the three trees that appeals to people on what can only be a deep level, in the same way that other newer beliefs appeal to people. Whether it is new or old oak, ash, and thorn together have become an important concept in many different traditions, and for the people who believe in its value, ultimately, its source should matter less than its efficacy. References The journey is made in an attempt to discover if they are now the last of their kind or if the persistent rumours that more Hidden Folk are alive and well in the countryside are true. Along the way, they meet many wild creatures and overcome many obstacles and they are transported by rides from deer and pigeons. Moss tells us that the rides were Many types of trees found in the Celtic nations are considered to be sacred, whether as symbols, or due to medicinal properties, or because they are seen as the abode of particular nature spirits. Historically and in folklore, the respect given to trees varies in different parts of the Celtic world. On the Isle of Man, the phrase 'fairy tree' often refers to the elder tree. [1] The medieval Welsh poem Cad Goddeu (The Battle of the Trees) is believed to contain Celtic tree lore, possibly relating to the crann ogham, the branch of the ogham alphabet where tree names are used as mnemonic devices. Andrews, W.(ed.)(1897) 'Antiquities and Curiosities of the Church, William Andrews & Co., London 1897; pp. 256-278: 'Amongst the ancients the yew, like the cypress, was regarded as the emblem of death.

BY ASH, OAK AND THORN - Chicken House Books BY ASH, OAK AND THORN - Chicken House Books

The belief system outlined in this book has shown me exactly what I have been yearning to reconnect with, and is essentially the framework for how I would like to live and raise my children to think and act. Our reality is already challenging, complex, and dark. The older I get the more I realize, that simple lessons are valuable at all ages, perhaps even most valuable as we get older and are more likely to brush them aside. The autumn of 1933 is the most beautiful Edie Mather can remember. But in the fields and villages around her beloved Wych Farm the Great War still casts a shadow over a community impoverished by economic depression, and threatened by change. Change, too, is coming to Edie, who at fourteen must soon face the unsettling pressures of adulthood. Constance FitzAllen arrives from London to document fading rural traditions and beliefs, urging all who will listen to resist progress and return to the old ways — but some wonder whether there might be more to the glamorous older woman than meets the eye. As harvest approaches and the future of Wych Farm itself grows uncertain, Edie must somehow find a way to trust her instincts and save herself from disaster. She isn’t overly critical of humans, rather they are portrayed as impressive inventors who are nonetheless blind to the destruction they cause. Harrison encourages ‘noticing’ children (and adults!) to act as best they can to protect the extraordinary, ordinary world around them, before it fades away completely.

Extract

For the tendency of elm branches to fall unexpectedly, see “An Habitation Enforced” ( Actions and Reactions p. 20, line 24), where Mrs Betts, talking of the death of old Iggulden, says: “They come down like ellum-branches in still weather. No warnin’ at all.”

By Ash, Oak and Thorn by Melissa Harrison | School Reading List

Verse 5, line 2] He breedeth a mighty bow: “Ewe of all other things is that whereof perfect shooting would have a bow made.” – Roger Ascham, Toxophilus, 1571, quoted by Robert Hardy, ,Longbow: A Social and Military History, 1976. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.This is a lovely book exploring nature, protecting it and connecting with it, all told through an adventure by the Wild Folk- Moss, Burnet, Cumulus- who are similar to borrowers but who have protected nature from the beginning of time. But things are changing, and Cumulus and Burnet are beginning to disappear, and they set out of a quest to find more like them, to find out why. The pome fruit and tree of the apple is celebrated in numerous functions in Celtic mythology, legend, and folklore; it is an emblem of fruitfulness and sometimes a means to immortality. Wands of druids were made from wood either of the yew or of the apple. The Brythonic Avalon in Arthurian tradition in certain medieval narratives, attributing Welsh origin, is translated as Insula Pomorum; 'The Isle of Apples'. One gloss of the name for the magical Irish island Emain Ablach is 'Emain of the Apples'. In the Ulster Cycle the soul of Cú Roí was confined in an apple that lay in the stomach of a salmon which appeared once every seven years. Cúchulainn once gained his escape by following the path of a rolled apple. An apple-tree grew from the grave of the tragic lover Ailinn. In the Irish tale Echtra Condla (The Adventure of Conle), Conle the son of Conn is fed an apple by a fairy lover, which sustains him with food and drink for a month without diminishing; but it also makes him long for the woman and the beautiful country of women to which his lover is enticing him. In the Irish story from the Mythological Cycle, Oidheadh Chlainne Tuireann, the first task given the Children of Tuireann is to retrieve the Apples of the Hesperides (or Hisbernia). Afallennau (Welsh, 'apple trees') is a 12th-century Welsh narrative poem dealing with Myrddin Wyllt. The Breton pseudosaint Konorin was reborn by means of an apple. The Proto-Celtic word was * * aballā; Old Irish, uball, ubull; Modern Irish, ubhal, úll; Scots Gaelic ubhall; Manx, ooyl; Welsh, afal; Corn. aval; Bret. Aval. [5] Hazel [ edit ] OAT is based on the popular Rider, Waite, Smith format, making it easy for anyone familiar with Tarot to use, and you can use most Tarot books to help with understanding the cards and their meanings if needed. Reference Cards I suspect this was the volume Burne-Jones sent to Kipling. Going by the British Library catalogue, the first edition was published in 1848, and there were numerous reprints.[D.H.]

Oak and Ash and Thorn | The Longest Song Wiki | Fandom Oak and Ash and Thorn | The Longest Song Wiki | Fandom

While Harrison peppers in plenty of flora and fauna names her presentation of the worm’s-eye-view natural world never feels more than superficially informed. She never conjures a sense of deep knowledge or immersion. We’re told to care about the natural world - or rather, chided for not doing so - but the book doesn’t do much to convince of its wonder and value. Now before the hate mail – or at least comments – start flowing in, let me be clear about something. Modern isn’t necessarily bad. Lots of concepts in neopaganism are modern and they still work just fine. Neopaganism gets some of its significant theology, ³ for example, from Robert Graves book The White Goddess which was published in 1948 and that doesn’t make those things any less valid. Generally these new concepts and ideas are built on older ones just with a new interpretation or understanding. So the idea of a triad of fairy trees may not be much more than a hundred years old, but it obviously is drawn from something else – perhaps the observation that these three trees often grow around holy wells, or perhaps the same thing that inspired Kipling’s poem. I don’t necessarily agree with all the changes and directions that the new beliefs are taking, and in some cases I outright argue against them, but nonetheless belief is a fluid thing. I’ve mentioned before when discussing the twee-ification of modern fairy beliefs that I may not like it but I can see that in some way or other it has a purpose. In the same way I’m sure not everyone likes the adaptations and changes made to the old beliefs to make them better fit new places and environments, but that doesn’t make them less necessary or important. My own personal form of witchcraft is itself a hybrid of the old and the new, an evolution of sorts in belief. Everything that is living is growing and adapting to the world around it, and that is a good thing; but as we grow and adapt we should always remember the truth of our roots, whether those roots are old or new. Positively soaking in flora and fauna with a host of wonderful creatures to guide the Hidden Folk on their way, Harrison presents a call to arms for the young reader to embrace the natural world whatever it looks like and wherever it may be found. There were times when I thought that the narrator trod close to 'telling' rather than 'showing' but the story, characters and sense of place were more than enough to find a balance between that sense of an invitation rather than being a guide who pointed ideologies out to the young reader. With the simplistic eco-ism, babyish emotional lessons and mild peril it feels like much younger fare than the novel-length it’s stretched to here.

By Ash, Oak and Thorn – at a glance

The poem was also later included in Songs from Books and DV. In both a head date of AD 1200 is added. I not only loved this book, I believed every word of it and as I water my seed paper I shall look at my garden, and the promise of the worlds within it, with renewed hope. Maybe, just maybe, it’s not too late.

Celtic sacred trees - Wikipedia Celtic sacred trees - Wikipedia

It arrived with a seed paper tag attached to the cover and I was soon happily engaged and following the instructions – Plant, Water, Sun, Grow – and potting the seed paper. I have been promised flowers and I hope I’m not disappointed.Daniel Hadas adds: ‘The refrain shares the rhythm of that of the carol on the Seven Joys of Mary, with “good sirs” where the carol has “good man”. Kipling had already imitated that carol, again with “good sirs”, in his ‘ A Carol’ So this poem is a sort of pagan counterpart to the Christian original and Kipling’s imitation of it. “Oak, and Ash, and Thorn” are a Trinity of sorts.’ [D.H. If you find this talk of little people and Hidden Folk rather off-putting and twee, don’t worry, these characters, along with all the other wild creatures, once played a key role as guardians of the Wild World and they are worthy of our appreciation and admiration. I was convinced that the secret world of wild creatures not only exists but that we need to understand and promote it if we are to survive. We must learn how to live together, the wild creatures know this, but mortals are still learning the essential lessons of harmony. In Proto-Celtic the words for "oak" were * * daru and * * derwā; Old Irish and Modern Irish, dair; Scottish Gaelic, darach; Manx, daragh; Welsh, derwen, dâr; Cornish derowen; Breton, dervenn. [2] Ash [ edit ] Verse 2, line 2] Aeneas: hero of Virgil’s Aeneid, leader of a group of fugitives after the fall of Troy, who becomes the ultimate founder of Rome. One of Conchobar mac Nessa's residences at Emain Macha, Cráebruad, has nine rooms lined with red yew. The agnomen of Cáer, the swan maiden, is Ibormeith [yew berry].