a b c d e f "Disco Fashion: That's the way They Liked It". The Ultimate History Project. Archived from the original on October 6, 2017 . Retrieved October 27, 2017. Once a Hot Disco, Now a Cool Opportunity – Philadelphia Magazine". Philadelphia Magazine. May 18, 2016. Archived from the original on October 28, 2017 . Retrieved October 27, 2017. Popular Videos – Prisencolinensinainciusol – YouTube". YouTube. Archived from the original on April 10, 2017 . Retrieved April 1, 2017.

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Shapiro 2006, pp.205–206 "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. [...] Remarkably, almost all of the important early DJs were of Italian extraction [...]. Italian Americans have played a significant role in America's dance music culture [...]. While Italian Americans mostly from Brooklyn largely created disco from scratch [...]." Shapiro, Peter (2000). Modulations: a history of electronic music: throbbing words on sound. Caipirinha Productions. pp. 40–49. ISBN 1-891024-06-X. PCP, Quaaludes, Mescaline. What Became of Yesterday's 'It' Drugs? – The Fix". Thefix.com. December 30, 2011. Archived from the original on October 27, 2017 . Retrieved October 27, 2017. Lawrence, Tim (2004). Love Saves the Day: A History of American Dance Music Culture, 1970-1979. Duke University Press. p.315. ISBN 0822385112.

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The term "disco" is shorthand for the word discothèque, a French word for "library of phonograph records" derived from "bibliothèque". The word "discothèque" had the same meaning in English in the 1950s. a b Gootenberg, Paul 1954– – Between Coca and Cocaine: A Century or More of U.S.-Peruvian Drug Paradoxes, 1860–1980 – Hispanic American Historical Review – 83:1, February 2003, pp. 119–150. "The relationship of cocaine to 1970s disco culture cannot be stressed enough..."

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FanLabel Staff (April 30, 2020). "2020's Disco Pop Revival | FanLabel Music Scene | Playlist". FanLabel. Archived from the original on April 19, 2021 . Retrieved February 27, 2021.

a b Braunstein, Peter (November 1999). "DISCO". American Heritage. Vol.50, no.7. Archived from the original on February 5, 2010 . Retrieved February 5, 2010. By far the most successful Euro disco act was ABBA (1972–1982). This Swedish quartet, which sang primarily in English, found success with singles such as " Waterloo" (1974), " Take a Chance on Me" (1978), " Gimme! Gimme! Gimme! (A Man After Midnight)" (1979), " Super Trouper" (1980), and their signature smash hit " Dancing Queen" (1976). a b c d e "Disco Music Genre Overview – AllMusic". AllMusic. Archived from the original on October 19, 2017 . Retrieved October 27, 2017. Main articles: House music and rave Like disco, house music was based around DJs creating mixes for dancers in clubs. Pictured is DJ Miguel Migs, mixing using CDJ players. Reynolds, Simon (July 11, 2001). "Disco Double Take: New York Parties Like It's 1975". Village Voice. Archived from the original on February 11, 2009 . Retrieved December 17, 2008.

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Other disco producers such as Tom Moulton took ideas and techniques from dub music (which came with the increased Jamaican migration to New York City in the 1970s) to provide alternatives to the "four on the floor" style that dominated. DJ Larry Levan utilized styles from dub and jazz and remixing techniques to create early versions of house music that sparked the genre. [66] Motown turning disco [ edit ] Bernard Edwards, 43, Musician In Disco Band and Pop Producer". The New York Times. April 22, 1996. Archived from the original on April 24, 2019 . Retrieved October 10, 2022. As disco waned in the late 70s, so did Chic's album sales. But its influence lingered on as new wave, rap and dance-pop bands found inspiration in Chic's club anthems In the early years, dancers in discos danced in a "hang loose" or "freestyle" approach. At first, many dancers improvised their own dance styles and dance steps. Later in the disco era, popular dance styles were developed, including the "Bump", "Penguin", "Boogaloo", "Watergate", and "Robot". By October 1975 the Hustle reigned. It was highly stylized, sophisticated, and overtly sexual. Variations included the Brooklyn Hustle, New York Hustle, and Latin Hustle. [24] Designed by Michael Robson and mastered by Simon Murphy this is the definitive collection of the dancefloor sounds of 1975. The best of 1976, 1977, 1978 and 1979 will follow.Rodgers, Nile (2011). Le Freak: An Upside Down Story of Family, Disco, and Destiny. Spiegel & Grau. ISBN 978-0385529655. Salsoul Records @ Disco-Disco.com". disco-disco.com. Archived from the original on October 14, 2017 . Retrieved October 27, 2017. resurgence [ edit ] British singer Dua Lipa has been credited by music critics with leading the revival of disco following the widespread international success of her single " Don't Start Now" and her album Future Nostalgia. [133] Hubbs, Nadine (May 1, 2007). " 'I Will Survive': musical mappings of queer social space in a disco anthem" (PDF). Popular Music. 26 (2): 231–244. doi: 10.1017/S0261143007001250. S2CID 146390768. Archived from the original on September 5, 2017 . Retrieved September 6, 2019– via Cambridge Core.

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Further, in addition to gay sex being illegal in New York state, until 1973 the American Psychiatric Association classified homosexuality as an illness. [41] This law and classification coupled together can be understood to have heavily dissuaded the expression of queerness in public, as such the liberatory dynamics of discotheques can be seen as having provided space for self-realization for queer persons. David Mancuso's club/house party, The Loft, was described as having a " pansexual attitude [that] was revolutionary in a country where up until recently it had been illegal for two men to dance together unless there was a woman present; where women were legally obliged to wear at least one recognizable item of female clothing in public; and where men visiting gay bars usually carried bail money with them." [43] History [ edit ] 1940s–1960s: First discotheques [ edit ] Jones, Alan and Kantonen, Jussi (1999). Saturday Night Forever: The Story of Disco. Chicago, Illinois: A Cappella Books. ISBN 978-1556524110. Hydrogenated Poly(C6-14 Olefin), Hydrogenated Polyisobutene, Polybutene, Ethylene/Propylene/Styrene Copolymer, Pentaerythrityl Tetraisostearate, Tocopherol, Aroma (Flavor), Mica, Butylene/Ethylene/Styrene Copolymer, Pentaerythrityl Tetra-di-t-butyl Hydroxyhydrocinnamate, Benzyl Benzoate, Limonene, Eugenol, CI 77491 (Iron Oxides), CI 17200 (Red 33 Lake), CI 15850 (Red 7 Lake), CI 42090 (Blue 1 Lake).

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Disco jingles also made their way into many TV commercials, including Purina's 1979 "Good Mews" cat food commercial [88] and an "IC Light" commercial by Pittsburgh's Iron City Brewing Company.

Disco was instrumental in the development of electronic dance music genres like house, techno, and eurodance. The Eurodisco song I Feel Love, produced by Giorgio Moroder for Donna Summer in 1976, has been described as a milestone and blueprint for electronic dance music because it was the first to combine repetitive synthesizer loops with a continuous four-on-the-floor bass drum and an off-beat hi-hat, which would become a main feature of techno and house ten years later. [68] [69] [110]