Also, the amount of time it took me to correct the computer and remove punctuation and add breaks in sentences was frustrating. Within the first two weeks of publication, it was featured in the top ten of the New York Times Best Sellers list. However, Kaur was not really inspired about it because she was writing about death and immigration whereas she wanted to talk about love.

Los poemas más vehementes fueron todos donde nos habla de su madre, algunos son de esperanza, anhelo, inclusive hay uno sobre como ella daría su vida con tal de cambiar lo que su madre tuvo que vivir. I hear a thousand kind words about me and it makes no difference yet I hear one insult and all confidence shatters - focusing on the negative.

The five sections of the book correspond with a poem that compares the process of personal growth to the life cycle of a flower.

When paired with her ability to cut into the heart of a message in few words, her style does lend itself to poems that mimic in writing her accompanying drawings: short and simple lines, little embellishment, leaving much to be filled in by the reader.Definitivamente leeré más de sus libros, pues su estilo, dentro de la poesía, es bastante único y crudo. Through those sections (“wilting,”“falling,”“rooting,”“rising,” and “blooming”) Kaur takes the reader along on what could be interpreted as an individual journey of loss and renewal, but because of the accessibility of her story, ends up being a testament to the universal resilience of the human heart. The book is divided into 7 sections reflecting the life cycle of a flower, with chapters titled: Wilting, Falling, Rooting, Rising, and Blooming. Not to mention the randomly sprinkled poems talking about her being an immigrant, all of them felt so out of place and awkward next to her other pieces. She attempted to begin the new book's journey for months, but nothing she wrote satisfied her expectations.